A production Woolworth seeing for the whole South African middle class A performance that will have you constantly looking for the teleprompter at the back, at those around you, and...
Michael Matthews’ Five Fingers for Marseilles brings the West to Africa The Western genre is unique to a particular time period and place. Directed by Michael Matthews, Five Fingers for...
Endgame: The Pinnacle of Absurd Theatre at Woordfees 2019 Endgame, a Baxter Theatre production, perfectly captures absurdity in an ingenious and often perplexing play. The play, originally written...
Jong akteur vertel van sy reis na die Woordfees Wynand Kotzé (25), ‘n tweedejaar dramastudent, het onlangs weggestap met die eerste plek by vanjaar se Première Toneelfees, ‘n...
US-studente neem gehore op reis na verlede met straatteater ’n Groep jong akteurs blaas vanjaar nuwe asem in die eeu-oue tradisie van straatteater by die US Woordfees. Met...
The good, the bad and the expensive: Woordfees 2018 in a nutshell As the 2018 US Woordfees has drawn to a close, the time has come for MatieMedia to sit back,...
Review: Fine acting in Sam Shepard’s classic, ‘The Curse of the Starving Class’ Language: English Directed by: Sylvaine Strike Script: Sam Shepard Music: The Dead South Set design: Chen Nakar, Andrea van...
Fokofpolisiekar vermaak feesgangers met eerste ‘Selfmedikasie’-vertoning op Stellenbosch Met ouer liedjies soos “Antibiotika”, “Ek Skyn (Heilig)” en “Tevrede”, het Fokofpolisiekar dit reggekry om feesgangers van die US...
US Woordfees sluit selfs nóg meer in Die negentiende US Woordfees skop op 2 Maart af en bied vanjaar selfs ’n groter verskeidenheid as vantevore. Vir...
Woordfees screens Black Lives Matter Initially this article was meant to be a review of a Woordfees event; the screening of a documentary called...