Viewers are exposed to a haunting and thought-provoking play that delves into the darkest corners of human existence, examining the complexities of morality, isolation, and the blurred line between victim and perpetrator.
The Woman Who Fed the Dogs, an 80-minute play directed by Julie van den Berghe, was performed on 7 October as part of the 2023 Toyota SU Woordfees.
The Woman Who Fed The Dogs was performed at Stellenbosch High School as part of the Toyota SU Woordfees with shows on 7,8 and 9 October. PHOTO: Supplied/Jeremeo Le Cordeur
A captivating lead performance
Based on Kristien Hemmerechts’s best-selling novel, the play is centred around the enigmatic character of Michelle Martin, brought to life by the talented Lee-Ann van Rooi. Martin, dubbed ‘the most hated woman in Belgium’, is set to be released from prison after serving a 16-year sentence as the accomplice of a child rapist and murderer, Marc Dutroux. Her impending release has brought back haunting memories of the horrifying events that shocked the world in the early 90s.
Throughout the play, Van Rooi keeps the audience spellbound with her remarkable ability to convey a sense of inner turmoil and conflict that leaves them torn between empathy and judgement. As Martin’s past is gradually unveiled, Van Rooi skillfully conveys the character’s evolution, making it impossible for the audience to definitively categorise her as a hero or a villain.
The Woman Who Fed the Dogs is filled with unexpected moments and the less you know about the story, the more you’ll appreciate its impact.
To reveal too much would be to rob the audience of the thrilling and unsettling twists that make the play that much more enjoyable.
Lee-Ann van Rooi (pictured above), in her portrayal of Michelle Martin, takes centre stage in The Woman Who Fed The Dogs at the 2023 Toyota SU Woordfees. PHOTO: Supplied/Jeremeo Le Cordeur
Crafting an atmosphere
The minimalist set design plays a crucial role in enhancing the audience’s connection with the central character. By reducing the physical elements of the set, the production compels the audience to focus on the emotional landscape of the character.
The use of lighting and sound creates an eerie atmosphere that complements the play’s unsettling themes. Throughout the play, the music reaches a crescendo during the most intense moments, only to abruptly end as the character unveils crucial revelations. This calculated use of music complements the narrative while amplifying its emotional resonance.
The Woman Who Fed the Dogs is a play that lingers in your thoughts long after you’ve left the theatre. Van Rooi’s performance in this production is not to be missed and is a significant factor in the play’s lasting impact on its audience.
The Woman Who Fed the Dogs will be performed again at Stellenbosch High School on 9 October at 10:00.