Woordfees: Boeiende Oomblikke in Drie Kortfilms Temas van isolasie, herhaling, vasgevangenheid en die eenvoud van alledaagse roetines word in drie kortkortfilms aangespreek wat op vanjaar...
Woordfees: A new spin on the Stadsaal exhibition This year’s Stadsaal exhibition shifted its focus towards including more contemporary artworks in the catalogue. In previous years, the...
Woordfees: Goed wat wag om te gebeur –’n wipplank van emosies Dié teater is ’n spieël van die menslike siel. Dit is ’n ruimte waar ons die diepste en donkerste...
Woordfees: Journey into the mind of a devoted mother Who could love a child more than their own mother? Through life’s ever-changing seasons, there is one thing that...
Woordfees: The limitations of Le Franc’s minimal dialogue Djibril Diop Mambéty’s Le Franc is a challenging cinematic experience due to its almost complete lack of dialogue. While...
Woordfees: ‘Hoerkind’ is wenresep vir goeie teater Van ‘hoerkind’ tot weeskind, tot stiefkind, tot weggooi-kind. Dít is die hartverskeurende fases van bekende skrywer en joernalis, Herman...
Woordfees: How ‘The Animal – What a word!’ Gives voice to the voiceless A review of The Animal – What a word! by Wilma Cruise In her exhibition The Animal – What...
Woordfees: “Bul” – ’n skouspel van kantoorpolitiek en emosie In die hart van die korporatiewe kantoor-omgewing, waar ambisie en intriges saamsmelt, ontvou Bul – ’n meesleurende blik op...
Woordfees: A standing ovation for Beethoven’s Triple Concerto The audience was able to leave their reality at the auditorium doors and allow their emotions to be guided...
REVIEW: Cape Town City Ballet gives Stellenbosch a taste of familiar favourites On pointe — this accurately describes the Cape Town City Ballet’s (CTCB) performance at the 2022 Toyota US Woordfees....