Woordfees: “Bul” – ’n skouspel van kantoorpolitiek en emosie In die hart van die korporatiewe kantoor-omgewing, waar ambisie en intriges saamsmelt, ontvou Bul – ’n meesleurende blik op...
Woordfees: A standing ovation for Beethoven’s Triple Concerto The audience was able to leave their reality at the auditorium doors and allow their emotions to be guided...
Woordfees: Masterful performances in Masterclass Sandra Prinsloo showcased her decades of stage expertise in Terrence McNally’s Tony Award-winning theatre production, Masterclass on 7 October...
Woordfees: The eerie brilliance of ‘The Woman Who Fed the Dogs’ Viewers are exposed to a haunting and thought-provoking play that delves into the darkest corners of human existence, examining...
Woordfees: Panellists speak on mental health and building better communities The struggle against mental health issues cannot be viewed in isolation, said Quinton Adams, an educational psychologist, at a...
REVIEW: Cape Town City Ballet gives Stellenbosch a taste of familiar favourites On pointe — this accurately describes the Cape Town City Ballet’s (CTCB) performance at the 2022 Toyota US Woordfees....
REVIEW: Zephany taken, Miché returned The infamous kidnapping case of Zephany Nurse is explored in Girl, Taken, a 92-minute documentary which follows Zephany’s disappearance,...
REVIEW: Bongeziwe Mabandla graces Musiekfees stage The award-winning musician, Bongeziwe Mabandla, wooed the crowd at Jan Marais Park on 14 October. The internationally acclaimed performer’s...
What comes after being a trophy wife? In this humorous South African theatre production, a former housewife deals with loss, experiences self-growth, explores the modern dating...
RESENSIE: Alles wat rooi is in Net Ons Die eerste oomblikke van die kortfilm Net Ons is in rooi getooi. Hoofkarakters Angel en Lorenzo ontmoet om elkeen...