Woordfees: The limitations of Le Franc’s minimal dialogue
Djibril Diop Mambéty’s Le Franc is a challenging cinematic experience due to its almost complete lack of dialogue. While...
Category: Review
Woordfees: ‘Hoerkind’ is wenresep vir goeie teater
Van ‘hoerkind’ tot weeskind, tot stiefkind, tot weggooi-kind. Dít is die hartverskeurende fases van bekende skrywer en joernalis, Herman...
Woordfees: How ‘The Animal – What a word!’ Gives voice to the voiceless
A review of The Animal – What a word! by Wilma Cruise In her exhibition The Animal – What...
Woordfees: “Bul” – ’n skouspel van kantoorpolitiek en emosie
In die hart van die korporatiewe kantoor-omgewing, waar ambisie en intriges saamsmelt, ontvou Bul – ’n meesleurende blik op...
Woordfees: A standing ovation for Beethoven’s Triple Concerto
The audience was able to leave their reality at the auditorium doors and allow their emotions to be guided...
REVIEW: Cape Town City Ballet gives Stellenbosch a taste of familiar favourites
On pointe — this accurately describes the Cape Town City Ballet’s (CTCB) performance at the 2022 Toyota US Woordfees....
REVIEW: Bongeziwe Mabandla graces Musiekfees stage
The award-winning musician, Bongeziwe Mabandla, wooed the crowd at Jan Marais Park on 14 October. The internationally acclaimed performer’s...
REVIEW: Katvis’ deceptively stunning ode to anguish
Anton Scholtz and Micheal Minnie’s short film, Katvis, has a run time of just 24 minutes. Despite its brevity,...
RESENSIE: Schalk sing toe nié so sleg nie
Schalk Bezuidenhout het sy vreeslose en vlymskerp sin vir humor na die Daisy Jones Bar in Stellenbosch gebring tydens...
A season of ups and downs for Maties rugby
After over seven months of competitive rugby, Stellenbosch University’s Maties Rugby Club’s 2022 season has come to an end....