Woordfees: Tragedie duur voort in Gas
Teater: Gas 28 September om 19:00, 29 September om 16:30, 30 September om 13:00 Bloemhof skoolsaal Gas, ’n toneelstuk...
Category: Review
Woordfees: Boeiende Oomblikke in Drie Kortfilms
Temas van isolasie, herhaling, vasgevangenheid en die eenvoud van alledaagse roetines word in drie kortkortfilms aangespreek wat op vanjaar...
Woordfees: A new spin on the Stadsaal exhibition
This year’s Stadsaal exhibition shifted its focus towards including more contemporary artworks in the catalogue. In previous years, the...
Woordfees: Goed wat wag om te gebeur –’n wipplank van emosies
Dié teater is ’n spieël van die menslike siel. Dit is ’n ruimte waar ons die diepste en donkerste...
Woordfees: Journey into the mind of a devoted mother
Who could love a child more than their own mother? Through life’s ever-changing seasons, there is one thing that...
Woordfees: The limitations of Le Franc’s minimal dialogue
Djibril Diop Mambéty’s Le Franc is a challenging cinematic experience due to its almost complete lack of dialogue. While...
Woordfees: ‘Hoerkind’ is wenresep vir goeie teater
Van ‘hoerkind’ tot weeskind, tot stiefkind, tot weggooi-kind. Dít is die hartverskeurende fases van bekende skrywer en joernalis, Herman...
Woordfees: How ‘The Animal – What a word!’ Gives voice to the voiceless
A review of The Animal – What a word! by Wilma Cruise In her exhibition The Animal – What...
Woordfees: “Bul” – ’n skouspel van kantoorpolitiek en emosie
In die hart van die korporatiewe kantoor-omgewing, waar ambisie en intriges saamsmelt, ontvou Bul – ’n meesleurende blik op...
Woordfees: A standing ovation for Beethoven’s Triple Concerto
The audience was able to leave their reality at the auditorium doors and allow their emotions to be guided...